whole lotta red review


After two years of making fans play the waiting game, Playboi Carti finally released his highly anticipated new album, Whole Lotta Red, on Friday (Dec. … Whether Carti’s straining his voice to repeat “Jump out tha house / … Jump out that bish” more than 50 times in a minute-and-a-half on, erm, ‘JumpOutTheHouse’, or navigating the noisy and scattershot ‘No Sl33p’, many of these song simply don’t live up to the standards he has previously set. These songs are in a constant state of being deleted and re-uploaded to YouTube and SoundCloud, but consistently get hundreds of thousands of plays. Album Review: Whole Lotta Red. When reviewing this album, I made sure to be super strict, as this was hyped up to be one of the best albums of the decade, while making sure to be open-minded, as I was never a huge fan of Carti. On ‘M3tamorphosis’ Carti’s braggadocio is infectious as he makes that song’s first refrain (“When you feel like this, can’t nobody tell you shit”) seem empowering, while the rapper’s astral humming takes us to a place of mindless euphoria. But the two dozen new tracks — including collabs with Kanye West and Kid Cudi — are being received like a lump of coal. Carti’s track pays homage to Slayer, one of the most influential metal bands ever. Zacharie Mouille - 22nd January 2021. It became Playboi Carti’s first number one hit on Billboards album chart, with the equivalent of 100,000 sales in the United States. Whole Lotta Red is difficult to sit through because of the various tone changes, the presence of mediocre-to-throwaway tracks, and scant attention paid to … At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 73, based on five reviews, indicating "generally favorable reviews". With the three-song set of “New N3on,” “Control,” and “Punk Monk,” the album transitions from its buzzsaw front half to the more exultant back, but also introduces minor problems of bloat and pacing: Each of these three songs has a better-executed analogue elsewhere on the tracklist, though “Monk” is redeemed in part by the industry intrigue it airs. Such is the case with Whole Lotta Red, the long-awaited, oft-delayed, most recent effort from ATL’s hip-hop Dadaist. It is easy to find hours-long playlists of unreleased Carti songs, some ripped in 15-second increments from Instagram stories, others leaked by hangers-on or purchased from enterprising hackers. It is cohesive, and is drawn from a thread that can be heard throughout the album. Our review of the new Playboi Carti album Whole Lotta Red. “Whole Lotta Red” was first announced just months after the release of “Die Lit.” In the two years since the album’s announcement, an enormous number of Playboi Carti songs have been leaked. At its best, Whole Lotta Red sounds like Carti’s voice memos have been laid over the most punishing production he could find. The song joins previous smashes ‘dothatshit!’ and ‘Flatbed Freestyle’ as a mellow Bourne-Carti tune for fans to fall in love with, the rapper’s knowingly whiny vocals cruising over the producer’s signature minimalist 808s and stretched synths. For some reason, folks on social media expected the album to be better than Illmatic. (Sometimes there are literal echoes: KP Beatz and Jonah Abraham’s “No Sl33p,” which comes immediately after Juberlee and Roark Bailey’s “Slay3r,” might as well have been built around a hummed recollection of “Slay3r.”) There is sinister Atlanta rap scaffolding—Richie Souf’s “JumpOutTheHouse” sounds like something an agitated Gucci Mane might have jumped on in 2008—but also a refreshing sense of humor, and a looseness that allows the zaniest idea to occasionally win. By contrast, the songs on Whole Lotta Red are urgent, immediate. Carti has one of, if not the most unique and creative voices in the rap game right now. The core element of Whole Lotta Red is its hyperkinetic pacing, especially in its extended opening run. These are quibbles, mostly, but they add up—less for being outright failures on their own terms, and more for derailing the momentum that Carti otherwise so carefully creates. He has not completely excised it from Whole Lotta Red, but the album’s most arresting moments come when Carti is rasping, evidently on the verge of losing his breath. For an artist who already has an audience’s attention, snippets and half-finished leaks can be more effective than singles: Our brains correct for the compression of sound by imagining the fullest possible mix, and hearing the most interesting parts of a song—the bridge that everyone in the studio agrees is the best part, the opening four-bar run that justifies the track’s existence—suggests a more exciting finished product than the one that, in all likelihood, exists. Even when songs do conform to more traditional arrangements, they arrive at them in unexpected ways. The meaty bass and blown out distortion of “Rockstar Made” belies Carti’s new killer instinct. The rapper hoped to give fans a Christmas treat with this surprise release. The Kid Cudi-assisted ‘M3tamorphosis’ is particularly disappointing – it’s unusual for Playboi Carti and his team not to know when to end a droning track. OVERALL RATING: 8/10. > Playboi Carti, Whole Lotta Red | Album Review January 19, 2021 Album & EP , Music, Pop Culture, Reviews By the musical hype. “Whole Lotta Red'' is Playboi Carti’s much-anticipated second album. The former was a more energetic, but rage-y album, just totally turned up a 1000%, but with "Whole Lotta Red" we see this intensity amplified to another sections of his music, where it's edgier and borderline most of the time, and just provocative, something that also … While they seldom trade in anything like autobiography, they cut close to the bone … Whole Lotta Red is a sprawling mass that spans 24 songs and includes performances from Future, Kid Cudi and Kayne West. His work, or at least traces of it, seems ever-present, but the man himself is a bit of a ghost. With Whole Lotta Red, Carti experiments with new sounds and draws upon a broader range of producers, including Art Dealer, Richie Souf, F1lthy, and even Kanye West. But those sounds are deployed in dizzyingly varied ways, from the white-hot punkish tracks near the beginning to the evolutions of early-2010s molly rap that pop up toward its end. And the trio of guest appearances (a phoned-in Future verse on “Teen X,” stock Kid Cudi on the texturally interesting but too-long “M3tamorphosis,” and executive producer Kanye West’s verse on “Go2DaMoon”) should all have been left on a hard drive somewhere. But, it went unreviewed by the music media. It’s one thing for a 24-song, hour-long album that had become an object of such intense speculation to deliver on its promise. Whole Lotta Red transposes that thrill of hearing an inspired work-in-progress and builds it out into a fully realized style. Catch up every Saturday with 10 of our best-reviewed albums of the week. Songs from “Whole Lotta Red” were regularly leaked, much to Carti and his team’s chagrin. The effect is to make Whole Lotta Red’s predecessor, 2018’s already intense Die Lit, sound nearly staid by comparison––and Carti’s slightly cloudy, self-titled debut from 2017 seem positively tranquilized. By contrast, the songs on Whole Lotta Red are urgent, immediate. Playboi Carti’s new project is enterprising and starkly unique, combining his various styles of old with an exciting new punk sound.

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